icon caret-left icon caret-right instagram pinterest linkedin facebook twitter goodreads question-circle facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle

Scott Lax Blog

On Influence in Writing

Finn being thoughtful (at nearly four months in the world)
Lydia and I were talking this morning about how much a writer should allow herself or himself to be influenced by other writers. We both agreed: learning from and being influenced by a writer (or other artists) is fine and good. Imitating, on the other hand – notsomuch, as they say nowadays.

As a writer, I'm influenced by a variety of artists, and they widely vary. Here's a sampling: poets Pablo Neruda and Walt Whitman for their cultural sensibilities and lyricism; French film director Francois Truffaut for his love of story-telling about the elegance and pain of everyday life and love; F. Scott Fitzgerald for his ability to write astonishingly beautiful sentences that happened to exist within great plots; my dad, for his ability to write succinct business letters, which was my first important lesson in writing after college (he took a two-pager and showed me how to edit it down to a couple of paragraphs); E.B. White, for his elegant simplicity and brevity in nonfiction essays; Dorothy Parker for her wit, which was layered with the understanding that life isn't fair, but that you can be funny anyway; Ernest Hemingway for his often short, gorgeous, utterly misunderstood sentences (misunderstood because he was a much better writer, and more complicated, than the simplistic view of him as a writer of silly, tough prose); James Baldwin for his searing portrayal of post-war America (I would put John Cheever in that category); Tim O'Brien for his wondrous ability to weave realism and fiction in a brutal yet tender way. And drummers Gene Krupa, Buddy Rich and Uriel of The Funk Brothers (drummer for many Motown hits) for the execution of controlled, powerful rhythmic excellence and varying dynamics.

Whew. And there are others, but if you got through those, maybe you want to take a break and make your own list.

So to put a finer point on this subject: Don't imitate. Be inspired. Be influenced. But find your own voice. How do you do that? I'll write more about that in coming months, but for now, here a bit of advice:

Be honest. Don't ever hide behind experimental or clever technique. Allow the story and the language to be the star of your writing, but not yourself. Creative writing is not an advertisement for you as a woman or man. It's an art form. Read More 

Should Writers Have a Sense of Justice?

Whether you write fiction or nonfiction, at some point you'll face the question of whether you should have a sense of justice about the world in which you write.

Since you possibly come here for advice I'll give it: Yes, you should.

Twain, Dickens, Toni Morrison, Milan Kundera, Ernest Gaines... they and many others have a sense of justice in their writing. You can tell a great story and still have a moral center -- even if the story is raw and violent. You can tell it through poetry; through children's, middle grade or young adult fiction; through essay and nonfiction; through short story or novel. Whether from a religious or secular point of view, that's your business. Even if you're simply out to entertain, at the heart of your work there should be conviction...in something. (Even existentialism.)

The world isn't always a pretty place. Writers should have the courage to speak out and up against injustice, in whatever form they choose. And if you are serious about writing with heart and conviction, you'll need courage.  Read More